Did Carl Jung Underestimate the Significance of That Transformative Desire
At first, Jung was worried that his visions were predicting the onset of a psychosis. But on later expression and earth functions, he believed these were caution him in regards to the approaching world conflict, which began in August of 1914. Soon after these disturbing images, Jung defined dealing with a time of deep turmoil and self-reflection, wanting to find a way through the landscape of their own dreams, his dreams, and their relationship to his living, to his function, and to political and cultural activities unfolding throughout Europe. In his autobiography he wrote: "I was living in a continuing state of stress; usually I felt as if massive blocks of stone were tumbling down upon me. One thunderstorm used another." **
First we have to place Jung's ideas into the situation of his living at the time. Jung was in a turbulent transition; he was causing the "ordinary earth" of Freud's psychology and impressive out on his own, beginning to enter the forest wherever there obviously was number path. He was going to the not known and into his authentic living, and then he has got the visions.
Next we need to imagine the photos and the geography in his vision as the bottom of his psyche, the landscape of his life at that time. And, subsequent Jung's well-known admonition to "keep your theories at the door," we can do our most readily useful to allow the photos to speak for themselves. If you're to assume being the "gigantic ton," you are an elemental, effective, unstoppable, normal power that some serious cataclysmic event has generated a surprise wave, a spiritual tsunami, moving up out and within the land. The ideological surfaces of conference can not keep back or include this aroused sea. From an alchemical perception, the waters melt Jung's former life so that the new being, an also more traditional Jung can emerge.
For Jung, lots of Freud's constructs in regards to the unconscious and dreams, the structures that had included Freudian psychology were collapsing. Now the flood starts to experience a many more like Jung's creative life and all that it contained hitting theaters, separated from the constraints of Freud's psychology--opening the flooding gates of his potential. The waters protect all of the "low-lying places," which could mean all the common soil of common psychology where nothing sticks out; the aspects of Jung's living in which he felt he'd to lay minimal, conform, stick to an even playing subject with Freud were today in chaos. Joseph Campbell
Jung lived in Switzerland, his home and where, in his desire, the hills "grew higher and higher to safeguard our country." The dream's rising mountains around Jung's home-land may effectively be saying that by rising above the low-lying places, by position out along with his own idea, that his "homeland," indicating his living, his authenticity, and his creative possible will truly be protected. The flood is after the low-lying lands--conformity and the tendency in most of us to pay our creative a few ideas, telling ourselves, "That idea will never work. What makes you think you possibly can make any difference anyhow? We are afraid to opposed to the world's acknowledged doctrines, to walk upstream against the current of common ideas. So we "set low," maintaining our traditional living in exile in the "low-lying" land. We are scared to "exist," which also methods to "stay out."